pitcher who wins fifteen straight for the Brooklyn Dodgers, suffers an injury that leaves him unable to pitch again, but painfully works his way back to the majors as a .300-hitting outfielder. In a famous passage in American Pastoral, Philip Roth calls it “simply written, stiff in places but direct and dignified,” about the game of baseball back before it was “illuminated with a million statistics, back when it was about the mysteries of earthly fate. . . .” He also says that it is “gripping to boys”—it is a boys’ book—but grownup men will read it with surreptitious absorption.(2.) Mark Harris, The Southpaw (1953). Some readers prefer Bang the Drum Slowly (1956), which served as the basis of the best baseball movie of all time, but the sequel is even better after reading the original Henry Wiggen novel. A small-town rookie lefthander makes it to the Bigs—and in New York to boot! He “don’t speak the King’s English,” Harris wrote in a later preface, “nor the Queen’s neither.” And half the fun is the book’s language. Although a comedy, it is a surprisingly exciting account of a tight pennant race: a combination that almost no baseball books are able to bring off.
(3.) Lawrence S. Ritter, The Glory of Their Times: The Story of the Early Days of Baseball Told by the Men Who Played It (1966). An oral history, although you would swear it isn’t. Ritter, an economics professor, interviewed twenty-two ballplayers who appeared in the majors between 1898 and 1946, and then edited the transcripts—lightly, he says in the preface. From the first paragraph what strikes you is the style of the players’ conversation. Here is Rube Marquand, opening the book: “My nickname what it is, you probably automatically assume I must have been a country boy. That’s what most people figure. But it’s not so. Fact is, my father was the Chief Engineer of the city of Cleveland, and that’s where I was born and raised.”
(4.) Philip F. O’Connor, Stealing Home (1979). No connection whatever to the Jodie Foster movie of the same title. O’Connor’s novel is about Little League. That’s right. Little League. The theme is now familiar: a man turns his life around by coaching a team of boys. (Hoosiers was not filmed until seven years later.) Even so, the treatment remains fresh, because O’Connor was the first, and because he does not sentimentalize it. More amazingly yet, his game accounts are unexpectedly heart-pounding. The novel is set in a small city south of Toledo, hardly the center of the American literary universe, and the main character is a longtime Mud Hens’ fan.
(5.) The Bill James Historical Baseball Abstract (1988; new ed., 2001). James is the one who is always blamed when those who are more interested in baseball mythology complain that the game is being buried under a million statistics. As I have tried to explain, James is a dedicated myth-buster who seeks to study baseball as if it were as important as any other human activity. What is rarely understood about him is that he is primarily a writer, and a good one. He excels at the brief sketch. Perhaps his best-known comment is what he wrote about Danny Ainge, who tried to play second and third base for the Toronto Blue Jays (1979–’81), after starring as a point guard on the Brigham Young University basketball team. James’s evaluation of Ainge’s promise as a ballplayer? “Dribble, dribble.” The Abstract is full of quirky information, and quirkier writing, and is endlessly fascinating for the true baseball fan. It’s a good introduction to the game for new fans too.
No such list would be complete without naming the worst baseball book of all time. Hands down it is Michael Chabon’s Summerland (2002). Permit me to quote from my own essay on Chabon: “In an interview with Salon, Chabon explains that he wanted to ‘get at baseball’ through this novel, but he fails because for him baseball is merely an occasion for lyricism. He quotes a sentence from Summerland that his daughter pronounced ‘nice’ when he read it aloud: ‘A baseball game is nothing but a great slow contraption for getting you to pay attention to the cadence of a summer day.’ No, it isn’t, any more than cream cheese is a ready smooth device for measuring the contours of a bagel.”
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